Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Here are all the paintings of MANTEGNA, Andrea 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
33408 Agony in the Garden MANTEGNA, Andrea Agony in the Garden mk86 c.1460 Tempera on wood 63x80cm London,National Gallery
8046 Agony in the Garden (detail) sg MANTEGNA, Andrea Agony in the Garden (detail) sg c. 1459 Tempera on wood National Gallery, London
8045 Agony in the Garden dth MANTEGNA, Andrea Agony in the Garden dth c. 1459 Tempera on wood, 63 x 80 cm National Gallery, London
8054 Ceiling Oculus sg MANTEGNA, Andrea Ceiling Oculus sg 1471-74 Fresco, diameter: 270 cm Camera degli Sposi, Ducal Palace, Mantua
33409 Dead Christ MANTEGNA, Andrea Dead Christ mk86 c.1480 Tempera on canvas 66x81cm Milan, Pinacoteca di Brera
8052 Parnassus sg MANTEGNA, Andrea Parnassus sg 1497 Canvas, 160 x 192 cm Mus??e du Louvre, Paris
33366 Portrait of  Cardinal Lodovico Trevisano MANTEGNA, Andrea Portrait of Cardinal Lodovico Trevisano mk86 c.14591469 Tempera on wood 44x33cm
8047 Portrait of a Man ag MANTEGNA, Andrea Portrait of a Man ag c. 1460 Wood National Gallery of Art, Washington
32524 Recreation by our Gallery 01 MANTEGNA, Andrea Recreation by our Gallery 01 mk79 About 1459
32523 Recreation by our Gallery 02 MANTEGNA, Andrea Recreation by our Gallery 02 mk79 1497
42917 Samson and Delilah MANTEGNA, Andrea Samson and Delilah mk170 1495-1500 Tempera on linen 47x36.8cm
32525 San Sebastiano MANTEGNA, Andrea San Sebastiano mk79 1476-1477, olio su tela trasportato su tavola
32387 St George MANTEGNA, Andrea St George c. 1460 Tempera on panel, 66 x 32 cm
8049 St Sebastian sg MANTEGNA, Andrea St Sebastian sg 1456-59 Panel, 255 x 140 cm Mus??e du Louvre, Paris
8048 St Sebastian sgy MANTEGNA, Andrea St Sebastian sgy 1457-58 Wood, 68 x 30 cm Kunsthistorisches Museum, Vienna
8056 Suite of Cardinal Francesco (detail) ag MANTEGNA, Andrea Suite of Cardinal Francesco (detail) ag 1471-74 Fresco Camera degli Sposi, Ducal Palace, Mantua
8044 The Adoration of the Shepherds sf MANTEGNA, Andrea The Adoration of the Shepherds sf c. 1451-53 Tempera on canvas tranferred from wood, 40 x 55,6 cm Metropolitan Museum of Art, New York
8057 The Court of Mantua (detail) ef MANTEGNA, Andrea The Court of Mantua (detail) ef 1471-74 Fresco Camera degli Sposi, Ducal Palace, Mantua
8055 The Court of Mantua (detail) g MANTEGNA, Andrea The Court of Mantua (detail) g 1471-74 Fresco Camera degli Sposi, Ducal Palace, Mantua
33410 The Gonzaga Family and Retinue finished MANTEGNA, Andrea The Gonzaga Family and Retinue finished mk86 1474 Fresco,600x807cm Mantua,Palazzo Ducale, Camera degli Sposi
8051 The Lamentation over the Dead Christ st MANTEGNA, Andrea The Lamentation over the Dead Christ st c. 1490 Tempera on canvas, 68 x 81 cm Pinacoteca di Brera, Milan
8050 The Madonna of the Cherubim sg MANTEGNA, Andrea The Madonna of the Cherubim sg c. 1485 Panel, 88 x 70 cm Pinacoteca di Brera, Milan
32390 View of the West and North Walls MANTEGNA, Andrea View of the West and North Walls 1465-74
8053 View of the West and North Walls sg MANTEGNA, Andrea View of the West and North Walls sg 1465-74 Camera degli Sposi, Ducal Palace, Mantua

MANTEGNA, Andrea
Italian Early Renaissance Painter, ca.1431-1506 Italian painter and printmaker. He occupies a pre-eminent position among Italian artists of the 15th century. The profound enthusiasm for the civilization of ancient Rome that infuses his entire oeuvre was unprecedented in a painter. In addition to its antiquarian content, his art is characterized by brilliant compositional solutions, the bold and innovative use of perspective and foreshortening and a precise and deliberate manner of execution, an aspect that was commented upon during his lifetime. He was held in great esteem by his contemporaries for his learning and skill and, significantly, he is the only artist of the period to have left a small corpus of self-portraits: two in the Ovetari Chapel; his presumed self-portrait in the Presentation in the Temple (Berlin, Gemeldegal.); one in the Camera Picta (Mantua, Pal. Ducale) and the funerary bust in his burial chapel in S Andrea, Mantua, designed and probably executed by himself. His printmaking activity is technically advanced and of great importance, although certain aspects of the execution remain to be clarified.
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